Author Archives: Maryleen Schiltkamp

ATLANTIS – exhibition of paintings 24-30 November 2025

ATLANTIS

Exhibition of paintings by Maryleen Schiltkamp
24 – 30 November, White Box, Roelof Hartstraat 7, Amsterdam.
Open daily: 12:00 – 19:00, and by appointment with Maryleen.
Opening reception: Sunday, 23 November at 15:30. RSVP!

 Flyer Atlantis

pdf Atlantis Press release EN

Article by Birgitta van der Linden for online Kunstenaar Magazine.
English translation: Atlantis EN

and Tableau Fine Arts Magazine

Oil paintings from the Atlantis series, including recent paintings, will be shown.

There will be a presentation of the ‘Atlantis’ Cahier — a LiveART Foundation publication — with in-depth texts and images on the theme of Atlantis by, ao. Drs. Ninian Nijhuis, who offers a Jungian perspective on the myth, and an archaeological insights by Prof. Dr. Bert Boekschoten, about the Tartessian culture of the 12th century BCE.

Atlantis – Amphitheater; oil on canvas, 120 x 100 cm, 2021

Underwater humans, oil on canvas, 50 x 40 cm, 20

The interdisciplinary universe is complete with an installation of video’s  from the live concert & videoperformance Atlantis & Other Utopias , our related project from last year, created in collaboration with composer/pianist Marion von Tilzer and live video performances by Studio de Maan, Anne Gentenaar, and Martin Boverhof, in collaboration with the Amstel Saxophone Quartet and percussionist Jacobus Thiele. The music and video images are based on Maryleen’s Atlantis paintings.

The opening reception on 23 November at 15:30 will include a poetry reading by performance artist Simon Mulder, who will also give an introduction to the paintings of the exhibition, as well as a recital on a glass-organ by Rogier Kappers.

On Tuesday, 25 November at 14:00 the Egyptologist Huub Pragt will give a lecture on the sunken city of Thonis – Heracleion, an Egyptian/ Greek port city from the 8th century BCE until the 2nd century AD, and which was recently brought to light by underwater archeologic expeditions. The  ‘Atlantis’ paintings in the exhibition have been partly inspired on reportages of these discoveries.

Art-journalist Birgitta van der Linden did an interview with Maryleen on the ‘Atlantis’ exhibition which is published in the online November edition of Kunstenaar Magazine and in the Tableau Magazine Newsletter.

Granados – Goyescas on Malta

GRANADOS – GOYESCAS
LiveART improvisations by Maryleen Schiltkamp during a concert of  Granados ‘Goyescas’ by pianist Maureen Galea;  The Three Palaces festival  at Malta Society of the Arts, Valetta,  2 November, Malta 2025

Granados – ‘Goyescas’: selection of 5 pieces with a story-line: Los Requiebros (flirtations)/ Fandango de Candil (fandango at candlelight)/ La Maja y el Ruiseñor (Maja and the nightingale)/ El Amor y la Muerte (Love & death)/ El Pelele (the strawman)

Maryleen has been working on a table this time with smaller scale paintings in oil on canvas. This was filmed from above and projected on a screen.

Many thanks to artistic director Michelle Castelletti for inviting us, and to our warm and cultured audience!

Photo’s
photo’s by Elisa von Brockdorff

 

 

 

 

 

 

 

“Klangbilder” – Shostakovich Piano Trio no.2

31 August & 5 September 2025 – Switzerland
LiveART performance of Shostakovich Piano Trio No.2, in E minor, Op. 67.

31 August, the LiveART performance by Maryleen Schiltkamp in collaboration with the Swiss Piano Trio  on Shostakovich Piano Trio no.2. took place, as part of the Kammermusik Bodensee festival in Lilienberg concerthall. This year, 2025, marks the worldwide 50th commemoration of Shostakovich death in 1975, which made the performance in Switzerland even more significant.

 

 

 

 

 

Stage view at Lilienberg concerthall after the LiveART performance of Shostakovich Piano Trio no.2 at 31 August 2025

 

 

 

 

 

The set of two LiveART paintings found a great destination in a private home near Zürich. The esthetically designed villa, an architectural artwork in itself, keeps the energy of Shostakovich’s music through these paintings – now and for future eyes.

Reflection on the festival by Kammermusik Bodensee:
The artist Maryleen Schiltkamp’s rendering of Shostakovich’s harrowing Second Piano Trio into two large-format paintings at the closing concert left a lasting and profound impression. Synchronized with the emotional interpretation of the Swiss Piano Trio, haunting images emerged on the canvases, amplifying and deepening the musical experience. The festival motto “Klangbilder” thus reached its fascinating climax, with musicians and the artist allowing the audience to participate directly in the creative process.”

Quote Paul Marleyn:

“Maryleen Schiltkamp’s live art performances are imbued with energy, passion and integrity. Her intense and sincere response to the great music which she expresses on the canvas, music with which she knows intimately, is expressed through her gestures and colours, and sometimes dramatic art strokes, so that we can experience the music’s and life’s full power and spirit in the moment. Her art performances represent a ground-breaking and valuable new way to express and experience live art and live music.”

— Paul Marleyn, internationally acclaimed Canadian cellist, Professor of Music, and Artistic Director of festivals (Lilienberg, 2025)

 

The Piano Trio No. 2 in E minor, Op.67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, written between late 1943 and August1944.

While in general the Piano Trio no.2 is commemorating the victims of the Second World War, the Holocaust and universal feelings of loss, the music also is witness to a personal grief of the composer in its dedication to his close friend Ivan Sollertinsky, whose death in February 1944 affected Shostakovich profoundly. The Piano Trio no.2 consists of 4 movements which in the LiveART paintings are divided over two canvasses by diagonals. The left canvas has movements I & II; the right canvas movements III & IV.

The Swiss Piano Trio: Martin Lucas Staub – piano; Angela Golubeva – violin; Franz Ortner – violoncello.

 

 

 

 

 

 

 

 

5 September 2025 the second performance of Maryleen’s LiveART collaboration with the Swiss Piano Trio took place at an art museum, Kunsthalle Appenzell. As LiveART performances mostly take place in musical surroundings as a concerthal or theater, it was very inspiring to stage this time at an art museum. The LiveART performance was filmed during the concert.

As much as LIveART is in the moment and has an element of improvisation, the artist studies the music score beforehand meticulously, in order to create an overall design for the paintings on the canvasses. As a preparation to live painting in synchronicity with the music, Maryleen creates a parallel graphic score, mapping and timing the musical motifs and significant moments…  the Timelines.  LiveART details of Shostakovich Piano Trio No.2

Art Eindhoven 2025

2025 – 8 / 9 February  Maryleen took part at the art fair Art Eindhoven with the ‘Atlantis’ series of oil paintings at stand #88.
Address: Klokgebouw, 5617 AB Eindhoven
Free ticketshttps://arteindhoven.com/visit/ with the discount code D-25AE

Maryleen with the series of ‘Atlantis’ oilpaintings at Art Eindhoven 2025

Legends about vanished cultures have fascinated us for thousands of years; an archaïc civilization, a mythical city lost in the waves. The series of ‘Atlantis’ paintings by Maryleen Schiltkamp bear witness to a cultural view: a timeless flood, sunken temples and amphitheatres in a mysterious silence on the ocean floor…

                                    Atlantis – Heracleion, 50 x 40 cm, oil on canvas, 2020

 

LiveART Foundation 2025

The LiveART Foundation launched it’s first promotional folder of 2025!

In September 2022, the acclaimed artist Maryleen Schiltkamp founded the LiveART Foundation to be a frame for her current artistic projects, and to preserve and promote the total of her artworks as a legacy. Based in Amsterdam, the Foundation supports art and its creators through exhibitions, film screenings and panel discussions, through live music-painting performances, and through the use of videos and other multimedia content centered around these collaborations.

The Foundation’s initial goal was to operate as a legal entity for the acquisition of music and image rights for Maryleen Schiltkamp’s live performance art projects. Subsequently, it became part of an over-arching vision which secures the entirety of Schiltkamp’s artworks as a legacy within the Foundation, for future generations.

Atlantis & Other Utopias

1 december 2024

Atlantis & Other Utopias 

De Posthoornkerk, Amsterdam; 1 december, 19:30

Stichting LiveART initieerde het avondvullende programma “Atlantis and Other Utopias”, een interdisciplinair project gebaseerd op de serie ‘Atlantis’ en ‘From the New World’ schilderijen door beeldend kunstenaar Maryleen Schiltkamp met speciaal hiervoor gecomponeerde muziek van componist/pianist Marion von Tilzer in combinatie met videoprojecties door Studio de Maan, die muziek en beeld als artistieke eenheid verbindt.
Von Tilzer’s nieuwe compositie en enkele andere stukken werden uitgevoerd door het Amstel Saxofoon Quartet, percussionist Jacobus Thiele en de componiste zelf op de piano. Schiltkamp’s schilderijen, die het uitgangspunt voor het project vormden, zijn tijdens het evenement ten toon gesteld in de Posthoornkerk; de expositie was daar te zien t/m woensdag 4 december, 12:00 – 16:00.

Foto’s Arkady Mitnik

‘Atlantis & Other Utopias’ concert & video performance 1 december in de Posthoornkerk

Maryleen Schiltkamp, Marion von Tilzer (componiste/pianiste) en Bas van Abswoude (Amstel Saxofoon Kwartet) tijdens het eind applaus…

De Posthoornkerk in het blauwe Atlantis licht…

Maryleen Schiltkamp

Percussionist Jacobus Thiele met de oceanharp (waterphone) speciaal ontworpen voor de ‘Atlantis & Other Utopias’ performance.

AI foto van de video performance ‘Atlantis & Other Utopias’ en teaser clip door Studio de Maan

Programma:

1. Atlantica – Ian Wilson, saxofoonkwartet
2. Les courants polyphoniques d’après Klee – Hugues Dufourt, saxofoonkwartet
3. Nachtfalter – Marion von Tilzer, piano solo
4. Tante Lotte – Marion von Tilzer, duo piano + percussie
5. Atlantis and other Utopias – saxofoonkwartet, piano, percussie; wereldpremière

Artiesten/ Websites:

Marion von Tilzer – componiste/ pianiste
Amstel Quartet – saxofoon kwartet
Jacobus Thiele – percussionist
Studio de Maan: Anne Gentenaar & Martin Boverhof – videoprojectie
Maryleen Schiltkamp – beeldend kunstenaar: 

Tickets à € 32 voor de 2 rijen vooraan
Tickets á € 27,50 overige plaatsen
via Stadsherstel online kaartverkoop
Locatie: De Posthoornkerk
Haarlemmerstraat 124-126, 1013 EX Amsterdam

Contact: info@maryleenschiltkamp.com

EXCURSIONS!

16 October 2024

LiveART performance concert EXCURSIONS! in collaboration with pianist Alexander Kraft van Ermel

Podium Mozaiek Theater, Amsterdam

 

EX C U R S I O N S !

Podium Mozaïek, Amsterdam 16 oktober, 20:00

Programma:
Rachmaninov – Etude Tableaux Op. 33 no.2,3 & 4
Barber – Excursions
Prokofiev – Transcriptions from the Cinderella Ballet
Prokofiev – Sonata no. 7 op. 83 “Stalingrad”

Beeldend kunstenaar – Maryleen Schiltkamp
Pianist – Alexander Kraft van Ermel

LiveART performance door beeldend kunstenaar Maryleen Schiltkamp in samenwerking met pianist Alexander Kraft van Ermel in werken van Prokofiev, Barber en Rachmaninov.

In “EXCURSIONS!” nemen beide kunstenaars je mee op een muzikale reis waarbij de klankkleuren worden vertaald naar een creatie op het doek. Een uniek samenspel van muziek en schilderkunst die op het podium de strijd aangaan met de spanning van oorlog, en het krachtenveld van de liefde.

Zo behoort Prokofiev’s Piano Sonate No.7 tot de ‘War Sonatas’; Alexander Kraft van Ermel brengt een combinatie van vernietiging en levenskracht ten gehore, waarbij Maryleen Schiltkamp expressieve abstracte beelden schildert. De muziek is universeel, maar in deze tijd van de Russische oorlog tegen Ukraine, en de Israëlische aanvallen in Gaza is de actuele dimensie ook iets dat impact heeft. Voorafgegaan door enkele delen van het prachtige ballet, Cinderella, oa. de Grand Waltz, een transcriptie voor piano, waarin de vervoering en de weerstand van de liefde aan de orde komt. In Barber’s ‘Excursions’ vinden we een mozaïek van korte stukjes met Amerikaans country- en blues idioom, maar in een klassieke zetting die de lat hoog legt voor de pianist en de schilder. Het programma wordt geopend door een keuze uit Rachmaninov’s ‘Etude Tableaux’; schilderachtige muziek die Alexander Kraft van Ermel als solo recital zal uitvoeren.

Tickets Eventbrite: https://tinyurl.com/4utsb94w
Podium Mozaïek event page + tickets: https://www.podiummozaiek.nl/programma/details/2851/excursions-maryleen-schiltkamp-alexander-kraft-van-ermel

Voor meer informatie en interview verzoeken kunt u contact opnemen met: contact@live-art-foundation.com

 

FROM THE NEW WORLD

MARYLEEN SCHILTKAMP

FROM THE NEW WORLD 1-7 September 2024

FROM THE NEW WORLD exhibition of paintings related to the
Ninth Symphony “Novosvětská” by Antonín Dvořák

1– 7 September 2024
Location: “White Box“, Roelof Hartstraat 7, Amsterdam
Opening reception Sunday, 1 September, 15:30
Open: Mon – Sat, 12:00-19:00, and by appointment with Maryleen

Related to Dvořák’s Ninth Symphony, the series of paintings
“From the New World” by Maryleen Schiltkamp are a reflection on the cathartic impact of the symphony and the utopian notion of a
New World.
A world not on any map, but rather as an otherworldly experience which can be sensed through images of a fractured light shining from behind the pictorial scene. Themes from nature are painted in a process of abstraction, in various sketches leading to oil on canvas paintings. During the creation of this series “From the New World”, Maryleen was living in Prague and encountering new influences, such as artworks by František Kupka and Czech Cubism, which she studied with great interest to find new ways of expression.

Shostakovich Viola Sonata Op.147

16 September 2023 – LiveART performance of Shostakovich’s Viola Sonata Op.147 by Maryleen Schiltkamp in collaboration with the Duo Ingolfsson-Stoupel, during the Shostakovich/ Beethoven festival “Rencontres Musicales Internationales d’Aigues-Vives”, (Gard) France. Organised by Mouvement Chostakovitch and Association Aigues-Vives en Musique.

Shostakovich Viola Sonata; live musicpainting (detail) 2023

Portrait of Dmitri Shostakovich, 2018

 

 

 

 

Portrait of Ludwig van Beethoven, 2023

 

LiveART performance of Shostakovich Viola Sonata, Op.147, 16 September 2023, Salle Marius École, Aigues-Vives

The three canvasses of the LiveART performance of Shostakovich’s Viola Sonata, Op.147, 16 September 2023

Altermidi Article on Maryleen

Video clip 

NEWS AIGUES-VIVES – LE JOURNAL December 2023

English translation

Donation to the community
A live creation

During the International festival of classical music last September, Dutch painter Maryleen Schiltkamp created an incredible live pictorial work, based on Shostakovich’s Sonata for Viola and Piano played by the duo Ingolfsson-Stoupel. The artist, and the LiveArt Foundation donated this triptych to the commune of Aigues-Vives. The town council was very moved by this gift and thanked Maryleen Schiltkamp for her generosity. Our heritage has thus been enriched by some fine works of art. You can admire the paintings in the Marius École and La Garette rooms, where they have been hung. This artist has exhibited in galleries all over the world, including New York, Los Angeles and Tokyo. She has performed live music-painting in venues and festivals in London, Amsterdam, and Prague, and most recently in Aigues-Vives.

by Myriam Angevin

News ‘Le Journal’: “Une création en direct”, December 2023

NEWS AIGUES-VIVES – LE JOURNAL December 2023

English translation:

“Rencontres musicales internationales”: “Art breaks the silence!”

Last September, Aigues-Vives en Musiques organised its festival on the theme “Art breaks the Silence!”, with the Association Mouvement Chostakovitch. The festival kicked off with a masterful performance of Beethoven’s “Kreutzer” Sonata for violin and piano by the Ingolfsson-Stoupel Duo. For the 2nd event, the stage was the theatre of artistic fusion, where music and painting were intertwined in the LiveArt performance: Dutch painter Maryleen Schiltkamp created an incomparable pictorial work on three canvases, reacting live to the pulsations and emotions of Shostakovich’s Sonata for Viola and Piano, performed by the Ingolfsson-Stoupel Duo. The audience was treated to an incredible sensory experience, witnessing a unique creative process underpinned by the complicity of the three artists. These works were generously donated by the painter to the municipality.

The following day, the Swiss Piano Trio gave a wonderful and unforgettable performance.

Another highlight was the screening of the Russian film “Family Album”, about the life of Shostakovich. A second film. “Alone” (USSR,1931), offered spectators the chance to see a extraordinary cinematographic work, with a score by Shostakovich. Alan Mercer, president of the Association Mouvement Chostakovitch, gave a commentary on the films before the festival. The festival created a bridge between generations and cultures, uniting classical music lovers in a shared celebration of art. Many thanks to all those who worked to make this festival a success! �Association Aigues-Vives en musiques

Maryleen Schiltkamp – music painter

Alan Mercer gave an introduction to Maryleen’s LiveART performance, by talking about synesthesia and Kandinsky’s theory of color relating to music; Salle Marius École, 16 September 2023.

CINEMA: During the festival, the film “Album de Famille” was shown about Dmitri Shostakovich’s family life. Film screening was organised by Alan Mercer.

The silent movie ‘Odna’ with film-music composed by Shostakovich (1931) Cinema organised by Alan Mercer.

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15 – 17 September: An exhibition of topics on Shostakovich & Beethoven; documentation and installation by Alan Mercer, Salle Marius École, Aigues-Vives.

LiveART panel with examples of Maryleen’s preparations for the live musicpainting performance of Shostakovich Viola Sonata OP.147